Gabriella Cleuren, Alone 01, 2002
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 73 x 110 cm (28 11/16 x 43 1/4 in.)
Belongs to "Bonaire", part of the series "FILLED EMPTINESS unique worlds". || Loneliness is a contemporary disease. In my work of the outside worlds she takes an important place. I used totally abandoned landscapes as I knew them from Bonaire, where I lived for many years, as metaphors for solitude, memories of desolate worlds. A large part of the Caribbean island, nature reserve, was scanty, blood beautiful, with few people or sometimes a single human being that I consciously placed in the abandoned area. If you admire these empty worlds, you start to notice how full they are, filled with color, shape, mystery, a rare tree or trees, withered flowerings, creatures, birds and rocks, memories of the past: petroglyphs of the Arawaks. The emptiness is full, filled with not immediately remarked presence, strange skies and clouds, lonely beauty.
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Gabriella Cleuren, Forgotten, 2005
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 73 x 110 cm (28 1/4 x 43 1/16 in.)
Belongs to "Bonaire", part of the series "FILLED EMPTINESS unique worlds" Loneliness is a contemporary disease. In my work of the outside worlds she takes an important place. I used totally abandoned landscapes as I knew them from Bonaire, where I lived for many years, as metaphors for solitude, memories of desolate worlds. A large part of the Caribbean island, nature reserve, was scanty, blood beautiful, with few people or sometimes a single human being that I consciously placed in the abandoned area. If you admire these empty worlds, you start to notice how full they are, filled with color, shape, mystery, a rare tree or trees, withered flowerings, creatures, birds and rocks, memories of the past: petroglyphs of the Arawaks. The emptiness is full, filled with not immediately remarked presence, strange skies and clouds, lonely beauty.
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Gabriella Cleuren, Alone 02, 2002
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 73 x 110 cm (28 11/16 x 43 1/4 in.)
Belongs to "Bonaire", part of the series "FILLED EMPTINESS unique worlds" Loneliness is a contemporary disease. In my work of the outside worlds she takes an important place. I used totally abandoned landscapes as I knew them from Bonaire, where I lived for many years, as metaphors for solitude, memories of desolate worlds. A large part of the Caribbean island, nature reserve, was scanty, blood beautiful, with few people or sometimes a single human being that I consciously placed in the abandoned area. If you admire these empty worlds, you start to notice how full they are, filled with color, shape, mystery, a rare tree or trees, withered flowerings, creatures, birds and rocks, memories of the past: petroglyphs of the Arawaks. The emptiness is full, filled with not immediately remarked presence, strange skies and clouds, lonely beauty.
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Gabriella Cleuren, Loneliness 05, 2007
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 54 x 73 cm (21 1/4 x 28 11/16 in.)
Belongs to "Bonaire", part of the series "FILLED EMPTINESS unique worlds" Loneliness is a contemporary disease. In my work of the outside worlds she takes an important place. I used totally abandoned landscapes as I knew them from Bonaire, where I lived for many years, as metaphors for solitude, memories of desolate worlds. A large part of the Caribbean island, nature reserve, was scanty, blood beautiful, with few people or sometimes a single human being that I consciously placed in the abandoned area. If you admire these empty worlds, you start to notice how full they are, filled with color, shape, mystery, a rare tree or trees, withered flowerings, creatures, birds and rocks, memories of the past: petroglyphs of the Arawaks. The emptiness is full, filled with not immediately remarked presence, strange skies and clouds, lonely beauty.
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Gabriella Cleuren, Island without escape 01, 2002
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 110 x 73 cm (43 1/4 x 28 3/4 in.)
Belongs to "Bonaire", part of the series "FILLED EMPTINESS unique worlds" Loneliness is a contemporary disease. In my work of the outside worlds she takes an important place. I used totally abandoned landscapes as I knew them from Bonaire, where I lived for many years, as metaphors for solitude, memories of desolate worlds. A large part of the Caribbean island, nature reserve, was scanty, blood beautiful, with few people or sometimes a single human being that I consciously placed in the abandoned area. If you admire these empty worlds, you start to notice how full they are, filled with color, shape, mystery, a rare tree or trees, withered flowerings, creatures, birds and rocks, memories of the past: petroglyphs of the Arawaks. The emptiness is full, filled with not immediately remarked presence, strange skies and clouds, lonely beauty.
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Gabriella Cleuren, Alone with nature 01, 2002
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 73 x 110 cm (28 11/16 x 43 1/4 in.)
Belongs to "Bonaire", part of the series "FILLED EMPTINESS unique worlds" Loneliness is a contemporary disease. In my work of the outside worlds she takes an important place. I used totally abandoned landscapes as I knew them from Bonaire, where I lived for many years, as metaphors for solitude, memories of desolate worlds. A large part of the Caribbean island, nature reserve, was scanty, blood beautiful, with few people or sometimes a single human being that I consciously placed in the abandoned area. If you admire these empty worlds, you start to notice how full they are, filled with color, shape, mystery, a rare tree or trees, withered flowerings, creatures, birds and rocks, memories of the past: petroglyphs of the Arawaks. The emptiness is full, filled with not immediately remarked presence, strange skies and clouds, lonely beauty.
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Gabriella Cleuren, Alone with nature 02, 2002
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 73 x 110 cm (28 11/16 x 43 1/4 in.)
Belongs to "Bonaire", part of the series "FILLED EMPTINESS unique worlds" Loneliness is a contemporary disease. In my work of the outside worlds she takes an important place. I used totally abandoned landscapes as I knew them from Bonaire, where I lived for many years, as metaphors for solitude, memories of desolate worlds. A large part of the Caribbean island, nature reserve, was scanty, blood beautiful, with few people or sometimes a single human being that I consciously placed in the abandoned area. If you admire these empty worlds, you start to notice how full they are, filled with color, shape, mystery, a rare tree or trees, withered flowerings, creatures, birds and rocks, memories of the past: petroglyphs of the Arawaks. The emptiness is full, filled with not immediately remarked presence, strange skies and clouds, lonely beauty.
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Gabriella Cleuren, Time witness, 2002
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 110 x 73 cm (43 1/4 x 28 3/4 in.)
Belongs to "Bonaire", part of the series "FILLED EMPTINESS unique worlds" Loneliness is a contemporary disease. In my work of the outside worlds she takes an important place. I used totally abandoned landscapes as I knew them from Bonaire, where I lived for many years, as metaphors for solitude, memories of desolate worlds. A large part of the Caribbean island, nature reserve, was scanty, blood beautiful, with few people or sometimes a single human being that I consciously placed in the abandoned area. If you admire these empty worlds, you start to notice how full they are, filled with color, shape, mystery, a rare tree or trees, withered flowerings, creatures, birds and rocks, memories of the past: petroglyphs of the Arawaks. The emptiness is full, filled with not immediately remarked presence, strange skies and clouds, lonely beauty.
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Gabriella Cleuren, Solitude 04, 2018
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 40 x 40 cm (15 5/8 x 15 5/8 in.)
Belongs to "Bonaire", part of the series "FILLED EMPTINESS unique worlds" Loneliness is a contemporary disease. In my work of the outside worlds she takes an important place. I used totally abandoned landscapes as I knew them from Bonaire, where I lived for many years, as metaphors for solitude, memories of desolate worlds. A large part of the Caribbean island, nature reserve, was scanty, blood beautiful, with few people or sometimes a single human being that I consciously placed in the abandoned area. If you admire these empty worlds, you start to notice how full they are, filled with color, shape, mystery, a rare tree or trees, withered flowerings, creatures, birds and rocks, memories of the past: petroglyphs of the Arawaks. The emptiness is full, filled with not immediately remarked presence, strange skies and clouds, lonely beauty.
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Gabriella Cleuren, Island without escape 02, 2002
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 73 x 110 cm (28 1/4 x 43 1/16 in.)
Belongs to "Bonaire", part of the series "FILLED EMPTINESS unique worlds" Loneliness is a contemporary disease. In my work of the outside worlds she takes an important place. I used totally abandoned landscapes as I knew them from Bonaire, where I lived for many years, as metaphors for solitude, memories of desolate worlds. A large part of the Caribbean island, nature reserve, was scanty, blood beautiful, with few people or sometimes a single human being that I consciously placed in the abandoned area. If you admire these empty worlds, you start to notice how full they are, filled with color, shape, mystery, a rare tree or trees, withered flowerings, creatures, birds and rocks, memories of the past: petroglyphs of the Arawaks. The emptiness is full, filled with not immediately remarked presence, strange skies and clouds, lonely beauty.
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Gabriella Cleuren, Loneliness 06, 2012
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 73 x 110 cm (28 3/4 x 43 1/4 in.)
Belongs to "Bonaire", part of the series "FILLED EMPTINESS unique worlds" Loneliness is a contemporary disease. In my work of the outside worlds she takes an important place. I used totally abandoned landscapes as I knew them from Bonaire, where I lived for many years, as metaphors for solitude, memories of desolate worlds. A large part of the Caribbean island, nature reserve, was scanty, blood beautiful, with few people or sometimes a single human being that I consciously placed in the abandoned area. If you admire these empty worlds, you start to notice how full they are, filled with color, shape, mystery, a rare tree or trees, withered flowerings, creatures, birds and rocks, memories of the past: petroglyphs of the Arawaks. The emptiness is full, filled with not immediately remarked presence, strange skies and clouds, lonely beauty.
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Loneliness is a contemporary disease. In my work of the outside worlds she takes an important place.
I used totally abandoned landscapes as I knew them from Bonaire, where I lived for many years, as metaphors for solitude, memories of desolate worlds. A large part of the Caribbean island, nature reserve, was scanty, blood beautiful, with few people or sometimes a single human being that I consciously placed in the abandoned area. If you admire these empty worlds, you start to notice how full they are, filled with color, shape, mystery, a rare tree or trees, withered flowerings, creatures, birds and rocks, memories of the past: petroglyphs of the Arawaks.
The emptiness is full, filled with not immediately remarked presence, strange skies and clouds, lonely beauty.
Gabriella Cleuren, Solitude 01, 2018
Highly pigmented acrylics on canvas, 40 x 40 cm (15 5/8 x 15 5/8 in.)
Belongs to "Bonaire", part of the series "FILLED EMPTINESS unique worlds" Loneliness is a contemporary disease. In my work of the outside worlds she takes an important place. I used totally abandoned landscapes as I knew them from Bonaire, where I lived for many years, as metaphors for solitude, memories of desolate worlds. A large part of the Caribbean island, nature reserve, was scanty, blood beautiful, with few people or sometimes a single human being that I consciously placed in the abandoned area. If you admire these empty worlds, you start to notice how full they are, filled with color, shape, mystery, a rare tree or trees, withered flowerings, creatures, birds and rocks, memories of the past: petroglyphs of the Arawaks. The emptiness is full, filled with not immediately remarked presence, strange skies and clouds, lonely beauty.
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