Gabriella Cleuren, Child of the account, 2006
Mixed media, 22 x 12 cm (8 1/4 x 4 1/4 in.)
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Gabriella Cleuren, Death, 2006
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 29 x 42 cm (11 1/8 x 16 3/16 in.)
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Gabriella Cleuren, Ecce homo, 2006
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 42 x 29 cm (16 3/16 x 11 1/8 in.)
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Gabriella Cleuren, Fall, 2006
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 29 x 42 cm (11 3/8 x 16 1/2 in.)
Page 99 in the book about "Brave New Old Worlds"
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Gabriella Cleuren, Feet 02, 2006
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 29 x 42 cm (11 1/8 x 16 3/16 in.)
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Gabriella Cleuren, Without words, 2006
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 42 x 29 cm (16 3/16 x 11 1/8 in.)
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Gabriella Cleuren, Wounded, 2006
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 42 x 29 cm (16 3/16 x 11 1/8 in.)
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Gabriella Cleuren, Dark view, 2005
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 42 x 29 cm (16 3/16 x 11 1/8 in.)
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Gabriella Cleuren, The rest of a human being, 2004
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 73 x 110 cm (28 1/4 x 43 1/16 in.)
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Gabriella Cleuren, Hero or doubtful, 2003
Mixed media, 127 x 30 cm (50 x 11 5/8 in.)
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Gabriella Cleuren, Throw away people, 2002
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 54 x 73 cm (21 1/4 x 28 3/4 in.)
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Gabriella Cleuren, Victim, 2002
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 42 x 29 cm (16 3/16 x 11 1/8 in.)
Page 95
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Gabriella Cleuren, Why?, 2002
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 110 x 73 cm (43 1/16 x 28 1/4 in.)
Helpless father Page 33 in the book about "Brave New Old Worlds"
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Gabriella Cleuren, For them no protests, 2000
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 73 x 110 cm (28 3/4 x 43 1/4 in.)
Page 72 in the book about "Brave New Old Worlds"
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Gabriella Cleuren, Can humans act different, 1999
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 110 x 73 cm (43 1/4 x 28 3/4 in.)
Will humanity ever be different. Page 55 in the book about "Brave New Old Worlds"
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Gabriella Cleuren, Exit, 1999
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 73 x 110 cm (28 1/4 x 43 1/16 in.)
Page 118-119 in the book about "Brave New Olds Worlds"
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Gabriella Cleuren, Man can't resist, 1999
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 42 x 29 cm (16 3/16 x 11 1/8 in.)
Page 96 in the book about "Brave new Old Worlds"
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Gabriella Cleuren, No protests for their destiny, 1999
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 73 x 110 cm (28 1/4 x 43 1/16 in.)
Page 60 in the book about "Brave New Old Works"
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Gabriella Cleuren, The only consolation, 1999
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 110 x 73 cm (43 1/16 x 28 1/4 in.)
Page 75 in the book about "Brave New Old Worlds"
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Gabriella Cleuren, World today, 1999
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 73 x 110 cm (28 1/4 x 43 1/16 in.)
Painting of the month June 2017. ||| Page 36-37 in the book about "Brave New Old Worlds" This picture I already painted in 1999 , belonging to my series BNOW was like a warning , a preoccupation of what could happen. Unfortunately it becomes again and again reality. Does a painter lives before his time of is he or she on a wavelength beyond time ? Everything is connected, also the present the past and the future.
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This picture I already painted in 1999 , belonging to my series BNOW was like a warning , a preoccupation of what could happen. Unfortunately it becomes again and again reality.
Does a painter lives before his time of is he or she on a wavelength beyond time ? Everything is connected, also the present the past and the future.
Dit beeld dat ik in 1999 al schilderde in mijn serie BNOW als een soort waarschuwing, voorgevoel voor wat komen kon, wordt met regelmaat telkens opnieuw werkelijkheid. Leeft een schilder v-o-o- r zijn tijd of zit hij of zij op een golflengte over de tijd heen ? Alles is verbonden, ook het heden, verleden en de toekomst. Waarom geraken wij niet uit de spiraal van vernietiging, is deze inherent aan ons bestaan?
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Gabriella Cleuren, Revenge, 1996
Painted industrial cardboard, 197 x 56 cm (77 1/2 x 22 in.)
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