Gabriella Cleuren, Terhole rhythm of trees, 2007
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 54 x 73 cm (21 1/4 x 28 3/4 in.)
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Gabriella Cleuren, Two figures on the edge, 2007
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 54 x 73 cm (21 1/4 x 28 3/4 in.)
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Gabriella Cleuren, As a whole part, 2006
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 30 x 20 cm (11 5/16 x 7 5/16 in.)
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Gabriella Cleuren, Child alone, 2006
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 110 x 73 cm (43 1/4 x 28 11/16 in.)
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Gabriella Cleuren, Coral beach, 2006
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 110 x 73 cm (43 1/4 x 28 3/4 in.)
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Loneliness is a contemporary disease. In my work of the outside worlds she takes an important place.
I used totally abandoned landscapes as I knew them from Bonaire, where I lived for many years, as metaphors for solitude, memories of desolate worlds. A large part of the Caribbean island, nature reserve, was scanty, blood beautiful, with few people or sometimes a single human being that I consciously placed in the abandoned area. If you admire these empty worlds, you start to notice how full they are, filled with color, shape, mystery, a rare tree or trees, withered flowerings, creatures, birds and rocks, memories of the past: petroglyphs of the Arawaks.
The emptiness is full, filled with not immediately remarked presence, strange skies and clouds, lonely beauty.
Gabriella Cleuren, Eric lonely 01, 2006
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 110 x 73 cm (43 1/4 x 28 11/16 in.)
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Gabriella Cleuren, On the end, 2006
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 54 x 73 cm (21 1/4 x 28 3/4 in.)
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Gabriella Cleuren, Perkpolder, 2006
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 54 x 73 cm (21 1/4 x 28 3/4 in.)
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Gabriella Cleuren, Summer on the dyke, 2006
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 73 x 110 cm (28 1/4 x 43 1/16 in.)
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Gabriella Cleuren, Terhole, 2006
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 54 x 73 cm (21 1/4 x 28 3/4 in.)
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Gabriella Cleuren, Washington slagbaai 01, 2006
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 73 x 110 cm (28 1/4 x 43 1/16 in.)
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Loneliness is a contemporary disease. In my work of the outside worlds she takes an important place.
I used totally abandoned landscapes as I knew them from Bonaire, where I lived for many years, as metaphors for solitude, memories of desolate worlds. A large part of the Caribbean island, nature reserve, was scanty, blood beautiful, with few people or sometimes a single human being that I consciously placed in the abandoned area. If you admire these empty worlds, you start to notice how full they are, filled with color, shape, mystery, a rare tree or trees, withered flowerings, creatures, birds and rocks, memories of the past: petroglyphs of the Arawaks.
The emptiness is full, filled with not immediately remarked presence, strange skies and clouds, lonely beauty.
Gabriella Cleuren, Washington slagbaai 02 : Where are the people., 2006
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 73 x 110 cm (28 1/4 x 43 1/16 in.)
FIE00104OW
Loneliness is a contemporary disease. In my work of the outside worlds she takes an important place.
I used totally abandoned landscapes as I knew them from Bonaire, where I lived for many years, as metaphors for solitude, memories of desolate worlds. A large part of the Caribbean island, nature reserve, was scanty, blood beautiful, with few people or sometimes a single human being that I consciously placed in the abandoned area. If you admire these empty worlds, you start to notice how full they are, filled with color, shape, mystery, a rare tree or trees, withered flowerings, creatures, birds and rocks, memories of the past: petroglyphs of the Arawaks.
The emptiness is full, filled with not immediately remarked presence, strange skies and clouds, lonely beauty.
Gabriella Cleuren, Along the road to Sorobon, 2005
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 73 x 110 cm (28 3/4 x 43 1/4 in.)
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Loneliness is a contemporary disease. In my work of the outside worlds she takes an important place.
I used totally abandoned landscapes as I knew them from Bonaire, where I lived for many years, as metaphors for solitude, memories of desolate worlds. A large part of the Caribbean island, nature reserve, was scanty, blood beautiful, with few people or sometimes a single human being that I consciously placed in the abandoned area. If you admire these empty worlds, you start to notice how full they are, filled with color, shape, mystery, a rare tree or trees, withered flowerings, creatures, birds and rocks, memories of the past: petroglyphs of the Arawaks.
The emptiness is full, filled with not immediately remarked presence, strange skies and clouds, lonely beauty.
Gabriella Cleuren, Salt Pan, 2005
Highly pigmented acrylics on prepared Steinbach 250/300 g/mg paper, 73 x 110 cm (28 3/4 x 43 1/4 in.)
FIE00014OW
Loneliness is a contemporary disease. In my work of the outside worlds she takes an important place.
I used totally abandoned landscapes as I knew them from Bonaire, where I lived for many years, as metaphors for solitude, memories of desolate worlds. A large part of the Caribbean island, nature reserve, was scanty, blood beautiful, with few people or sometimes a single human being that I consciously placed in the abandoned area. If you admire these empty worlds, you start to notice how full they are, filled with color, shape, mystery, a rare tree or trees, withered flowerings, creatures, birds and rocks, memories of the past: petroglyphs of the Arawaks.
The emptiness is full, filled with not immediately remarked presence, strange skies and clouds, lonely beauty.
Gabriella Cleuren, Ann in the fields, 2004
Highly pigmented acrylics on Steinbach 250 g/mg paper, 73 x 54 cm (28 3/4 x 21 1/4 in.)
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